08 Feb “Terrific”

“Terrific.”

The play of life in three Acts

The word “terrific” in the 19th century meant terrible and has since transitioned into meaning wonderful. Likewise, the play “Terrific” begins as a tragedy and ends as a farce.

In Act 1, we are children, unadulterated by memories. We experience the present as it unfolds without preconceived notions; everything is new and unique. In Act 2, as adults, we no longer experience things as they are; but as we are. Our memories frame our experiences; comparing them to others that not real, as they exit only in our mind. In Act 3, we return to our unadulterated, childlike mind.

Act 1

Birth and Socialization

Act 1 begins at birth; a happy time, a sad time. While the most joyous moment in a parent’s life, birth starts a tragedy for newborns as they enter the stage crying. Newborns feel the tragedy of it all; that before birth they were one with everything and upon their birth they they are finite in space; from oneness with everything to duality, the finite self and everything which is not the self. This is animal consciousness which is the basis for much of the conflict in the play of life.

After birth, we learn the ways of human life on Earth. We are socialized to perceive, think and behave in the ways of the socialization circles (family, religion, nationality, education, special interests, etc.) in which we are members. Thus ends Act 1, the transition from otherworldly, the time before birth and after death, to the human experience.

Act 2

Adult Experience

In Act 2, each of us assumes various roles in the play. Roles include career, family, religion, personal relationships, social group identities, passtime interests, etc. Most of us take these roles seriously, take ourselves seriously and forget that these roles are simply roles in a play and not who we truly are. We are oblivious of who we are before birth and after death: one with the nameless infinite, God.

As we make our way in the play, our mind creates memories and stories that are the foundation of our identities and roles. The stories frame our experiences. We don’t experience things as they are but as our mind has defined them. This is karma. Karma often leads to live unhappy lives and precludes us from realizing our potential, divine consciousness.

While our lives are often difficult dramas, they are an entertaining farce to those in the audience viewing the play. The audience are the gods like those from Mount Olympus who Homer tells us in the “Odyssey” effuse the air with a deafening sound of laughter.

Act 3

The Transition

In Act 3, each actor is written out of the play’s script with their bodily death. However, Act 3 is the transition of our essential self, God, to a seat among the gods in the audience where we can enjoy the farce, the play “Terrific.”

The transition is the realization that life is a play; that we are not finite but one with everything; temporary, ever-changing and interdependent expressions of God. As we let go of our finite bodily form, we embody wisdom and compassion and realize life is terrific.

Epilogue

Most of us never come to realize during the play of life that we are just actors. We take ourselves and our roles seriously. We are oblivious as to whom we were before birth, one with everything, and that we will again be one with everything after bodily death. This makes our lives great dramas, but at the cost of much suffering.

Those of us who are enlightened actors know that life is a play and that we are gods with temporary human roles. For these enlightened actors, regardless of their various roles, life is terrific as they have a good laugh making their way through the play of life.

As to the audience of the gods, the actors on stage cannot see them in the dark theatre. The dark space is nothingness. But as from the audience come forth gods to act on the stage, it is from nothingness that everything springs.

When we see the world metaphorically, as above, that is the world we live in; as Gods.