02 Oct Iberian Idol, 3rd Millennium B.C.
As an abstract, non-representational, cylindrical sculpture, this artwork is referred to as an"idol." Its solar eye suggests the universe is revealed by the light emanating from the eyes of God....
13 Sep Kongo Fetish
This surreal 19th century Kongo fetish (an inanimate object worshiped for its supposed magical powers or because it is considered to be inhabited by a spirit) depicts a bundle containing juju (magical substances that empower an object) from which a mirror-faced head with a feather atop emerges. When we look at the mirrored face of the object, we see ourselves. This suggests we are the fetish and the fetish works its magic through us. The feather protruding from the head suggests the mind of the fetish connects it to the spirit world; that can take flight and see beyond the range of man....
27 Apr Eye idol, 3700 – 3500 B.C., Tell Brak, Levant
This 5500 year old female figure comes from the time before the dawn of the written word. Much has changed since then but perhaps men have not. The figure is depicted with eyes, nose, breasts and a vagina; but no mouth or ears. Perhaps that's how most men like their women. More seriously, what this apparently sacred object (it is referred to as an "idol") means is open to interpretation. Eye idols are almost invariably depicted with eyes only; no mouth, nose or other body parts. Perhaps that's the nature of a presumably all-knowing deity, they observe and do not speak. As Lao Tzu observed more than 3000 years later: “He who speaks does not know, he who knows does not speak." ...
24 Feb Taisha
Takeshi Fuji, photographer Shiga, Japan, 2/2/2022 There are 8 million gods recognized in the Shinto religion in Japan, a number that in traditional Japanese culture is considered synonymous with infinity. Taisha (coincidentally, pronounced like my name, Teicher), is the oldest and biggest shrine in Japan where it is said that all the gods meet annually. This photo, not of the Izumo Taisha Grand Shrine, is metaphorically Taisha. It depicts a reflecting light path over water (coincidentally, "teich" in German is "pond") and through a shrine to the sun god, the origin of everything. The sun god is seen rising over mountains and through clouds. The mountains are opaque, ignorance, which requires great efforts to climb above. The clouds are translucent, our mind which otherwise is what shrouds the light that is everywhere....
20 Dec Siberian Shaman Amulet
This 5.9cm object is reputedly a charm used by a Siberian shaman. A shaman is a healer and diviner. The etymology of "shaman" is the Tungus root sā-, meaning "to know." At first blush it looks like a maskette with a smiling or angry human face, spanning the gamut of human emotions. The empty or negative space within the outline of the face is greater than the lines that form the facial features. That suggests that what's behind the face, the mind, is empty. With our mind empty, we are cured from much of what ails us and are free to see beyond ourselves, the future. Alternatively it looks like a woman's body without a head; just a pair of breasts, vagina and protruding legs. For some men that would be the ideal woman as it would cure them of much of their woes....
17 Dec Slow Round 11 Watch
This one-hand quartz watch is an entertaining timepiece. The watch's one hand is gold-colored and emanates from a gold center disk, presumably the sun. The one hand is like a ray of sunlight whose movement reflects the passage of time. A full-circle move of the one hand represents the 24 hour day. Hence, the perimeter is crowded, allowing only markers that indicate time in quarter-hour segments. The day begins and ends at the lowest vertical point on the perimeter, the darkest hours. Other than the one hand and the markers, the watch face is a dark blue cover over the watch's internal movements which is like dark matter; unseen but presumed to affect all that is seen. With one-hand indicating time, it is like a sundial. Like the movement of the sun's golden rays is the movement of the watch's gold-colored hand. However, sundials are the most primitive of time-telling machines and this watch, propelled by a quartz movement, is most modern. With a quartz movement, the watch accurately measures time with a monthly accuracy of 15 seconds, considerably more accurate than a mechanical watch. However, as it has no markers indicating minutes, reading the time indicated is a bit of guesswork with 5 minutes leeway. Ironically, the most accurate watch is also the least accurate watch. As reading the time indicated is a bit of guesswork, this watch is unlike mechanical watches which we read without thought. Reading time on this watch requires our attention, awakening us a bit, and each reading is like never before which is the nature of time. Moreover, as we cannot precisely read the time, we know we can never be completely certain where we are in time. Maybe we can't be certain of other things as well. If so, best to go slow and not make choices impetuously. As well, we are unlikely in the same time-place as most other people whose watches are more in sync. The preceding is what I see in this watch, making the watch funny. Funny in that the watch allows very different views which are at odds. In looking at things I always find something about them funny. If not, I know I don’t know what I’m looking at....
07 Feb Fujiyama
Kanako Iiyama In the Edo Period some believed that Fujiyama was a female deity and that by climbing the mountain one would be reborn, purified and able to find happiness. Today, most people are made happy by the mountain's simple beauty. The pantheist star (on the waters below, reflecting the top of the mountain and the sun rising) informs us that everything we see is only one thing: energy in its infinite manifestations. ...
24 Oct Container, Djibouti
This contemporary, post-WWII, object describes the evolution of society from tribal peoples to the modern world. The social evolution is marked by the change from a group-centered to an individual-centered world. The base of the container represents the foundation of civilization, tribal peoples. The tribe members are connected as one in dance. The faces of the dancers are undifferentiated and their bodies unclothed, implying their essential selves. Each member is not an individual; they are the dance. As societies evolved, they centered around the head, the mind. The members' heads surround the container, the mind, and are differentiated by facial expressions and hairstyles. At the top, the container's lid, is a man sitting alone in contemplation, lost in thought. The man, now individual-centered, closes the container/mind and no longer connects to others as in the dance....
23 Oct Pindi, Democratic Republic of the Congo
This whimsical, unique, rare dancing figure is not an iconic example of African art but one that is both inventive and allegorical. (For additional images of this figure, click here.) With its arms oversized and swaying and its legs bent, the figure is dancing. The arms are oversized as they would be in a slow shutter speed photo of a dancer in motion. It is both male and female. But unlike hermaphrodite figures generally (which host breasts and a penis), this figure has a vagina, a male torso (no breasts) and an Adam's apple. It is a man with female genitals, as in dancing celebrations in West Africa where males dress as females. Unlike this dancing figure which is rare, the majority of tribal art figures are standing, not dancing, and host a head that is disproportionately large relative to torso. This figure has a tiny head and long neck separating the head and the torso. The message it conveys is that when we are dancing our experience is physical and our heads play a disproportionally smaller role in how we experience the world. A corollary is that when we are not physically engaged our experience is a function of our head....